Essay: Prey (2022)

“Prey” (2022), directed by Dan Trachtenberg, is a fresh addition to the Predator franchise, taking a bold step by setting the story in 1719, on the Great Plains of North America. This prequel explores the origins of the Predator’s hunting escapades on Earth, offering a new perspective that combines survival, culture, and the primal fight for dominance. The film, with its stripped-down, character-focused approach, has garnered praise for reviving the franchise and taking it in a compelling new direction.

At its heart, Prey is a survival thriller, following Naru (Amber Midthunder), a young Comanche warrior determined to prove herself as a hunter. Naru’s character is driven by her will to challenge the traditional roles assigned to women in her tribe and her desire to protect her people. Her arc of personal growth is well-developed, as she transforms from an underestimated figure to a skilled and resourceful warrior, making her an ideal protagonist for a story rooted in the struggle for survival.

One of the most unique aspects of Prey is its historical setting and the portrayal of Comanche culture. By grounding the Predator in a period where survival depends on primal skills, the film builds tension and suspense as Naru and her tribe use basic tools and strategies to combat an alien hunter equipped with advanced technology. The inclusion of the Comanche language, the portrayal of indigenous customs, and the respect for this culture add a layer of authenticity to the film that elevates it beyond a typical science fiction action movie.

The Predator, though a familiar creature to fans of the franchise, feels refreshingly new in this film. Its design is more primitive, reflecting the time period and its own evolutionary stage. The film also cleverly plays with the idea of predator versus prey, as Naru and the Predator engage in a battle of wits and survival tactics. The tension builds as Naru must learn from the Predator’s actions and weaknesses to outsmart a creature far superior in strength and weaponry.

Visually, Prey is stunning. The cinematography captures the vastness of the American wilderness, with wide shots of the plains and forests creating an eerie, isolated atmosphere. The natural beauty of the setting contrasts sharply with the brutal violence that unfolds throughout the film, from the Predator’s gruesome kills to the visceral hand-to-hand combat between Naru and her adversaries.

What sets Prey apart from previous entries in the franchise is its simplicity. While many Predator films rely on large-scale action and explosive sequences, Prey returns to the basics of survival horror. This back-to-basics approach allows for a more intimate connection with the characters, particularly Naru, and heightens the tension as every encounter with the Predator feels personal and perilous.

In conclusion, Prey (2022) reinvigorates the Predator franchise by delivering a story that is both thrilling and grounded. Through its unique historical setting, strong character development, and minimalist approach to action, the film presents a fresh take on the familiar alien hunter narrative. Amber Midthunder’s performance as Naru is captivating, and the film’s commitment to portraying indigenous culture with respect adds a deeper layer of meaning to the battle between hunter and prey. Prey proves that sometimes less is more, delivering a tense, engaging film that breathes new life into the Predator series.